Tuesday, April 3, 2012

Lecture 6


Commercial media is a highly controversial issue. The rejection of commercial media stems from the belief in the amorality of capitalism. Must society dwell on the mere accumulation of profit? Must advertisers hold the power? Do we, as a society rely on advertising for basic revenue?

















To answer these complex question; one must first investigate the basics.

Why does commercial media exist?
Simply, it exists for advertisers. No longer is the audience the customer. Commercial media is predominantly about profit increase.

What is commercial media?
Commercial media is profit-driven media production, i.e. Advertising.
As Wikipedia (http://en.wikipedia.org/wiki/Advertising) states,
Advertising is a form of communication used to encourage or persuade an audience (viewers, readers or listeners) to continue or take some new action. Most commonly, the desired result is to drive consumer behavior with respect to a commercial offering, although political and ideological advertising is also common. The purpose of advertising may also be to reassure employees or shareholders that a company is viable or successful. Advertising messages are usually paid for bysponsors and viewed via various traditional media; including mass media such as newspaper, magazines, television commercial, radio advertisement, outdoor advertising or direct mail; or new media such as websites and text messages.

  • It is non-government funded (and therefore must rely on other devices).
  • It survives or fails on business success.
  • They key to the survival of the business, is by generating audience. 


Who are the major players?

With this is mind; one must consider the many different forms in which each of these companies produce media. Different forms include:
  • Newspapers
  • Cable TV
  • Free to air TV
  • Magazines
  • Books
  • Websites
  • Radio
  • Sports
  • Films
  • Documentaries etc. 


























Take, for example, Seven West Media. As seen below, they produce in a wide variety of mediums including TV, magazines, websites and newspapers. This greatly increases profit.















What is the form and function of commercial media?


  














Does commercial media have a role in democratic society?
Commercial media disseminates information to the public. The Hutchins Commission of 1947 issued a report that set forth a code of social responsibility for the press, requiring these five basic services:
  • A truthful, comprehensive, and intelligent account of the day’s events in a context which gives them meaning;
  • A forum for the exchange of comment and criticism;
  • The projection of a representative picture of the constituent groups in the society;
  • The presentation and clarification of the goals and values of the society;
  • Full access to the day’s intelligence.

Some people question whether the media can deliver to both its commercial and social functions. History is forever debating whether bias can ever be removed. Can one ever disregard themselves, and write from a purely information base? Probably not. But the journalist’s role is to distribute truthful information.

C P Scott, was the editor of the Guardian, and wrote this very article on the struggle to attain truth. It is now referred to as, "Comment is Free". 
“A hundred years is a long time; it is a long time even in the life of a newspaper, and to look back on it is to take in not only a vast development in the thing itself, but a great slice in the life of the nation, in the progress and adjustment of the world. In the general development the newspaper, as an institution, has played its part, and no small part, and the particular newspaper with which I personally am concerned has also played its part, it is to be hoped, not without some usefulness. I have had my share in it for a little more than 50 years; I have been its responsible editor for only a few months short of its last half-century; I remember vividly its 50th birthday; I now have the happiness to share in the celebration of its 100th. I can therefore speak of it with a certain intimacy of acquaintance. I have myself been part of it and entered into its inner courts. That is perhaps a reason why, on this occasion, I should write in my own name, as in some sort a spectator, rather than in the name of the paper as a member of its working staff.
In all living things there must be a certain unity, a principle of vitality and growth. It is so with a newspaper, and the more complete and clear this unity the more vigorous and fruitful the growth. I ask myself what the paper stood for when first I knew it, what it has stood for since and stands for now. A newspaper has two sides to it. It is a business, like any other, and has to pay in the material sense in order to live. But it is much more than a business; it is an institution; it reflects and it influences the life of a whole community; it may affect even wider destinies. It is, in its way, an instrument of government. It plays on the minds and consciences of men. It may educate, stimulate, assist, or it may do the opposite. It has, therefore, a moral as well as a material existence, and its character and influence are in the main determined by the balance of these two forces. It may make profit or power its first object, or it may conceive itself as fulfilling a higher and more exacting function.
I think I may honestly say that, from the day of its foundation, there has not been much doubt as to which way the balance tipped as far as regards the conduct of the paper whose fine tradition I inherited and which I have had the honour to serve through all my working life. Had it not been so, personally, I could not have served it. Character is a subtle affair, and has many shades and sides to it. It is not a thing to be much talked about, but rather to be felt. It is the slow deposit of past actions and ideals. It is for each man his most precious possession, and so it is for that latest growth of time, the newspaper. Fundamentally it implies honesty, cleanness, courage, fairness, a sense of duty to the reader and the community. A newspaper is of necessity something of a monopoly, and its first duty is to shun the temptations of monopoly. Its primary office is the gathering of news. At the peril of its soul it must see that the supply is not tainted. Neither in what it gives, nor in what it does not give, nor in the mode of presentation must the unclouded face of truth suffer wrong. Comment is free, but facts are sacred. "Propaganda", so called, by this means is hateful. The voice of opponents no less than that of friends has a right to be heard. Comment also is justly subject to a self-imposed restraint. It is well to be frank; it is even better to be fair. This is an ideal. Achievement in such matters is hardly given to man. We can but try, ask pardon for shortcomings, and there leave the matter.
But, granted a sufficiency of grace, to what further conquests may we look, what purpose serve, what task envisage? It is a large question, and cannot be fully answered. We are faced with a new and enormous power and a growing one. Whither is the young giant tending? What gifts does he bring? How will he exercise his privilege and powers? What influence will he exercise on the minds of men and on our public life? It cannot be pretended that an assured and entirely satisfactory answer can be given to such questions. Experience is in some respects disquieting. The development has not been all in the direction which we should most desire. One of the virtues, perhaps almost the chief virtue, of a newspaper is its independence. Whatever its position or character, at least it should have a soul of its own. But the tendency of newspapers, as of other businesses, in these days is towards amalgamation. In proportion, as the function of a newspaper has developed and its organisation expanded, so have its costs increased. The smaller newspapers have had a hard struggle; many of them have disappeared. In their place we have great organisations controlling a whole series of publications of various kinds and even of differing or opposing politics. The process may be inevitable, but clearly there are drawbacks. As organisation grows personality may tend to disappear. It is much to control one newspaper well; it is perhaps beyond the reach of any man, or any body of men, to control half a dozen with equal success. It is possible to exaggerate the danger, for the public is not undiscerning. It recognises the authentic voices of conscience and conviction when it finds them, and it has a shrewd intuition of what to accept and what to discount.
This is a matter which in the end must settle itself, and those who cherish the older ideal of a newspaper need not be dismayed. They have only to make their papers good enough in order to win, as well as to merit, success, and the resources of a newspaper are not wholly measured in pounds, shillings, and pence. Of course the thing can only be done by competence all round, and by that spirit of co-operation right through the working staff which only a common ideal can inspire.
There are people who think you can run a newspaper about as easily as you can poke a fire, and that knowledge, training, and aptitude are superfluous endowments. There have even been experiments on this assumption, and they have not met with success. There must be competence, to start with, on the business side, just as there must be in any large undertaking, but it is a mistake to suppose that the business side of a paper should dominate, as sometimes happens, not without distressing consequences. A newspaper, to be of value, should be a unity, and every part of it should equally understand and respond to the purposes and ideals which animate it. Between its two sides there should be a happy marriage, and editor and business manager should march hand in hand, the first, be it well understood, just an inch or two in advance. Of the staff, much the same thing may be said. They should be a friendly company. They need not, of course, agree on every point, but they should share in the general purpose and inheritance. A paper is built up upon their common and successive labours, and their work should never be task work, never merely dictated. They should be like a racing boat's crew, pulling well together, each man doing his best because he likes it, and with a common and glorious goal.
That is the path of self-respect and pleasure; it is also the path of success. And what a work it is! How multiform, how responsive to every need and every incident of life! What illimitable possibilities of achievement and of excellence! People talk of "journalese" as though a journalist were of necessity a pretentious and sloppy writer; he may be, on the contrary, and very often is, one of the best in the world. At least he should not be content to be much less. And then the developments. Every year, almost every day, may see growth and fresh accomplishments, and with a paper that is really alive, it not only may, but does. Let anyone take a file of this paper, or for that matter any one of half a dozen other papers, and compare its whole make-up and leading features today with what they were five years ago, 10 years ago, 20 years ago, and he will realise how large has been the growth, how considerable the achievement. And this is what makes the work of a newspaper worthy and interesting. It has so many sides, it touches life at so many points, at every one there is such possibility on improvement and excellence. To the man, whatever his place on the paper, whether on the editorial or business, or even what may be regarded as the mechanical side - this also vitally important in its place - nothing should satisfy short of the best, and the best must always seem a little ahead of the actual. It is here that ability counts and that character counts, and it is on these that a newspaper, like every great undertaking, if it is to be worthy of its power and duty, must rely.” 

The news controls on commercial media
Media is regulated by a number of bodies, including statutory, and voluntary bodies. Such committees ensure the media maintains the strict legal prescription and obeys formal state requirements.

Impact on the style of commercial media
There can be a ‘dumbing-down’ of information, which makes information over-simplified. Furthermore, as sales stem around the generation of an audience, commercial media can be tempted into creating “Mickey Mouse” news, or news to please, which includes Tabloids. This is destroying the quality of journalism, and turning it to a form of corruption, in which it is lead by business.

What are the challenges that commercial media face?
Media companies used to specialize in one area; whether it be television, radio or print. Nowadays, a successful media platform must be specialized in all forms of communication, including digital.

Statistically speaking, advertising revenue for broadcast media is falling. This poses an enormous threat to the existence of Australian media.
Simply, with a loss of revenue, there’s a loss of investment, which leaves less money for quality production, and a leniency towards more affordable foreign programs, and predominantly repeats of US sitcoms. The end result of this would be an enormous number of bald individuals, expressing their frustration towards miserable media on their receding hairlines. What a miserable world it would be!

Commercial media will always thrive in a capitalist world. The role of commercial media, however, should be to create quality programs. Despite sliding revenue, citizens will pay for quality.



Monday, April 2, 2012

Goodbye my dear TV


25 March 2012
OPINION
Annabel Crabb

The streets are full of dead televisions. They lurk mutely on nature strips, empty-eyed. They gather in reproachful little clusters on vacant blocks. On some, the screens have been stoved in; a further indignity inflicted by the wanton boots of passing hoodlums. The most heartbreaking of all are the ones with the remote controls hopefully balanced on top of them, as tragic as an abandoned dog carrying a leash in its mouth.
The ones with their cords snipped are at least realistic. They're never going to work again, and they know it.
What's going on? It used to be that a television was something you very much wanted to get into your house. And now you can't give them away. It's happening everywhere.
You can see them from the air when you fly in low over any Australian city and look carefully. From that modest elevation, the sense of a national mood is clearer; it looks like the aftermath of an especially drunken Christmas party at Harvey Norman, or perhaps a powerful tribal response to Nine's Excess Baggage.
Televisions are now finding out how newspapers have felt for years. Though at least you can line a budgie cage with an old newspaper. All you can do with old TVs is create witty aquariums or take gritty black-and-white photos of them lying on their sides in the urban environment and there's not much call for either, alas.
Our collective excuse for this waste is the switch-over from analog to digital signals. But the dirty little secret is that our profligate approach to TVs is here to stay.
This year, 2.5 million TVs will - as a spokesman from the federal environment department delicately puts it - ''reach the end of life''. Of these, he says, ''an estimated 500,000 will be recycled, while the remainder will be stored or disposed of to landfill''.

And it's going to get worse; the department estimates that by 2028, the annual figure of tossed-out TVs and computers will reach 44 million.
It's not just the digital switch. We can't blame Stephen Conroy, or the pensioners he keeps scaring the life out of with free set-top boxes that are supposed to fit snugly on to their 1986 Rank Arenas. Chucking TVs is now something we just do. We do it because a digital telly that cost $2250 in 2005 now costs a few hundred bucks. (The high Australian dollar might be ruining manufacturers, food exporters and tourism operators but their retrenched workers will at least be able to recline and enjoy daytime soaps on very competitively priced giant screens).
We do it because we want a bigger one. A decade ago, the median screen size was 86 centimetres but by 2009 that had ballooned to 116 centimetres; the figures read like a Kardashian bust-size chart. By 2015, the manufacturer Sharp predicts that 152 centimetres will be the norm. What this all means is that you can't give old tellies away.
Spare a thought for burglars, who now face urgent professional development challenges. What's the point of nicking a television when the streets are already full of them?
Being burgled can be a confronting experience for a range of reasons, one of which is that one is taught brutal lessons about the real-world value of one's most beloved items.
My father-in-law's leather jacket was once left on his bed, rather pointedly, by a villain who made off with just about everything else. And the burglary stats certainly make deflating reading if you happen to be a television.
A spokesman for the insurance company GIO, Duncan Bone, explains that according to last year's NSW figures, more bangles were reported stolen than LCD televisions. BANGLES.
That's as distinct from bracelets, of which more were stolen than bangles and televisions combined.
''Today's burglar clearly doesn't enjoy heavy lifting,'' is Bone's diagnosis. ''It's all about high-value portable items, with jewellery the No.1 item stolen by a long shot, followed by laptop computers, digital cameras and bicycles.''
One of my work colleagues felt inexplicably sorry for her faithful old telly recently when a post-heist audit revealed that her burglar had ignored the device entirely in favour of her pink patent Prada heels.
''The police were no better, when I pointed it out,'' she recalls. ''They looked at the TV and then with puzzlement at me: 'Who'd want to steal that?' ''
The problem is that throwing away old tellies is dangerous. The boxy cathode ray ones are full of hazardous materials such as mercury, cadmium, brominated flame-retardant plastics and traces of Baywatch.
So the federal government has set up something called the National Television and Computer Recycling Scheme, which will start collecting our junk in the next few months. Soon, the carcasses will be gone from the streets. But televisions will never again be the treasures they once were.
Annabel Crabb writes for the ABC's The Drum, at abc.net.au/thedrum